alma negra are back on heist! after their much applauded 2017 release with that great soulphiction remix, theyve been rather busy taking over the scene. they started their new label alma negra records where they released 3 eps in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. they launched their live show, doing gigs across europe with a highlight at one of londons more intimate live venues: the jazz cafe. their latest outing making their release count a total of 4 in only 8 months was on marcel vogel’s lumberjacks in hell and explored the more live / rework side of their project. now theyre back on heist with 3 new tracks, supported by an awanto 3 remix. conversation is a track we wanted to put out on heist badly, simply because it’s a beast of a track. it sits somewhere between a live african drum track, percussive techno and moody midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. this track is alma negra at their filthiest, and it feels like they’ve taken a next step from last years dark and heavy luanda dub, bringing it from an intimate dreamy stage straight into the main room. this is the place shows a different side of the house spectrum with the alma’s love for dreamy deep house. the track flows up and down, with soothing rhodes chords, arpeggios and mumbling vocals setting a summery mood thats perfect for your warm up or daytime party. meanwhile, their third original track from the heart goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going.

im september 1996 wurde bilingual als sechstes pet shop boys-studioalbum veröffentlicht. es spielte sich bei erscheinen auf platz 4 der uk-charts (platz 7 in d) und enthielt 5 singles, die alle in die uk-top-20 gingen. wie die meisten pet shop boys-alben schöpft auch bilingual aus vielen einflüssen, darunter deutlich hörbare latino-inspirationen, was der tatsache geschuldet war, dass neil tennant und chris lowe sich im vorfeld der aufnahmen viel mit spanischer und lateinamerikanischer musik beschäftigt hatten.

glaswegian sound wizards mr tc and lo kindre step up for the next neubau ep and deliver two dubbed out slow jams. both original tracks make up a super hypnotic listening experience with the right amount of bass impact! for the b-side label boss heap created a remix which could easily soundtrack a visual sequence depicting your idea of time travel

with an arsenal of releases on labels like ndatl, ppu, black catalogue, 2mr, and harsh riddims, atlanta artist stefan ringer presents the first release on his own imprint fwm entertainment. this contribution contains a fluid spectrum of sounds . “southside-, is a soulful, sexy summer house cut. “great beat” follows up in a similar vein, jazz inspired, introspective, and upbeat. while “wanna be bad” is a freaky skating rink inspired track. “got me 123&#8243,, is a hypnotic 2 step groove, and rounding it out is “fr shawty” a slowed vocal stepper.

boogie box launched in style last year with a release from the mighty stl, and now they re revisiting that strong first step with a clutch of smartly selected remixes from some deep cover operators. juniper drops two dubs of -haze & kraze- that press squashed synth pressure, found sounds and splattering fx into tight but funky grooves with a distinctly nocturnal feel. fold s dub of -hide & seek- spaces things out beautifully, taking a crooked, steppers approach that works wonderfully with the source material. jonas friedlich s own dub of -hide & seek- takes a dustier path through the undergrowth, completing a package of truly non-conformist techno that chimes with stl s own outsider spirit.

deep, rootical lovers b/w thirteen minutes of blissed-out disco reggae (w/ download code)
deep, rootical lovers, darkly seething with one-step-at-a-time hurt and steely, vengeful self-esteem. hypnotic, stripped and desolate, with implacable drums and bass, dubwise from the start, the production is classic, unmistakable wackies, featuring fabian cooke’s scattered, abrupt organ stabs and minimal guitar-work, ras menelik’s masterful nyabinghi drumming, and harmonic commiseration by sugar minott and the love joys (with a strangled sob at intervals). over six minutes, the extended mix is different to the love power lp, and the additional dub, released here for the first time, is unmissable for its extra rawness and dubbed-out emptiness. plus thirteen minutes of blissed-out disco reggae on the flip: two contrasting dubs of the giorgio moroder/irene cara/flashdance cut from love power, both previously unreleased and a bit sick.

with the summer season well and truly in full step, mosaic returns with two finely tuned cuts of classic dubbed-out minimalism. a side in the night is a typically understated affair from label boss steve o sullivan under his wise caucasian alias. propelled by a bass-heavy tone and lit by layers of percussion that build on each other you ll find yourself getting lost in the washes of sparse vocals, rhythmic stabs and splashes of delay that reach out over the dance floor. far from providing instant gratification, this requires timely and repeated play to uncover the layers of subtle finesse and craftsmanship: perfect for keeping those feet moving at any hour of the night, or day for that matter. on the b side, steve teams up once again with fellow londoner, frazer campbell on rise which goes straight for the full smile effect as the duo conjure up one of those rare pieces of magic. set to a melee of skippy percussion, high-pitched toms and warmly toned melody, the prophetic voice of maya angelou and her timeless poem still i rise resonates supreme, bringing a touch of thoughtful intelligence thats all too often forgotten. as the track hits it peak, you cant help but feel the deep elation a groove like this brings in the darkest of hours.

it is a pleasure to work with david granha and to present his 2nd release on noir music. not only is he a super talented producer but he is also open to taking his tracks a step further and in the process evolve as an artist and producer. i have been playing these 3 tracks a lot in my sets around the globe and almost each week discussed change of details with david. it makes me proud to have this “savala” release on noir music cause you can hear from the title track “savala” is an extension of his previous release on the label and with “balea” and “mortal sins” he moves his sound-design to new ventures and a more minimal, raw approach to the final outcome. exactly what i wanted from david. exactly what i hoped for and well…… even better. these 3 tracks just sounds amazing and they have been crafted perfectly step by step over a long period of time. a lot of passion, energy and love have been put into this release. on top of that the titles of the tracks also have sentimental value to david, so there is also a deeper meaning with this release. give them a spin and experience how powerful these tunes are.

modular synthesis wizard eddie symons, aka nullptr null pointer, lands on cpu with some of the finest laid back analogue electro you will hear post other people place. fans of cygnus and dmx krew take note. after his debut lp optical on detroit underground, symons has firmly established himself as a class act to follow. expect spacey wavetable pads, step sequencer conversations and killer modular bass.

london s release/sustain imprint returns this may with the a says hello ep from detroit s alton miller, chaos in the cbd step in on remix duties. detroit s alton miller has been in the game for the past three decades coming up alongside luminaries derrick may, chez damier and the late frankie knuckles and releasing material on the likes of peacefrog, moodymann s mahogany music, theo parrish sound signature and clone amongst others. suffice to say, miller stands as an extremely important figure in the history of authentic, soul-drenched house music. title-track a says hello opens the package and as expected we re treated to an elegant slice of house infused with a flawless musicality as multi-layered synth chords, pads and swells intertwine alongside dusty drum samples. cool but so... follows, embracing an acid-jazz feel with broken, organic rhythms, sweeping pads and warm chord progressions throughout. mule musiq artists chaos in the cbd step up to rework cool but so... next, adding their own spin to things via warbling rhodes licks, bright chord sequences, a wandering bass line and an insistent organic drum groove. below the underdog then rounds out the package perfectly with gritty bass hits, tension building synth swells and a rugged, bumpy drum groove.

(clear 10 inch vinyl) the second release to be pressed into totems slabs of 10-inch vinyl is from techno impresario luke slaters l.b. dub corp moniker. slater has been operating as a pioneer, with a full deck of aliases, throughout the genres many corners since the days when techno was a newborn phenomenon. the stripped back sounds of l.b. dub corps last releases on the imprint have resounded naturally within the psychotropic space carved out by stroboscopic artefacts.

fantastic edits of a ukg classic! entity : london present one of their all-time favourite garage tracks with new mixes, one more on a minimal meets ukg vein while the flip is more of a 2-step version... already getting the attention of four tet! all proceeds from the pressing of this record will go to grenfell charities. -it s been one year since the fire at grenfell and our hearts and thoughts continue to be with the residents, bereaved and the latimer road and ladbroke grove community. growing up a stones throw from grenfell tower, spending most of my years in and around the area and seeing close friends and their families seriously affected by such a travesty, it s only right that i try to use the platform that we have to raise awareness and pay respect. hopefully, eventually, we can get close to justice. in honour, we have one of our all-time favourite uk garage tracks - one that really strikes a chord with many who have lived the true london life - re-interpreted by our friend from russia, lost-act.-

pama int’l waren 2006 die erste neue band, die das legendäre label trojan records nach 30 jahren unter vertrag nahm. ihr album “the trojan sessions” wurde mit einem all-star-line-up um lynval golding und horace panter (beide the specials) und vielen prominenten feature-gästen aufgenommen. nun erscheint eine neue dub-version des weltberühmten dub-masters nick manasseh, der bereits mit namhaften künstlern wie lee perry, luciano, johnny osbourne, vin gordon, julian temple und johnny clarke arbeitete und als kiss fm-dj in deren anfangsphase als piratensender auflegte.

arcane patterns is a vinyl & digital label that encompasses kinetic body music by translating sacred codes, mathematical polyrhythms and dooming moods, catering to both the club and the home listener. shaped by the emancipatory energies of the hardcore/punk scene in their youth, berlin & mainz-based duo aphtc (aka kl.ne & cr&#926,,sc) now immerse themselves in the realms of bass-heavy club music, sonic fiction and syncopated hyperstition. limited to 300 copies with unique artwork which quotes the late great mark fisher, this 12- meticulously executes the modern-day uk techno/bass sound design with clean tensity and dread. don t sleep. the 12inch &#8243,,when grounds shift&#8246,, by the duo aphtc is a visceral trip into a sonic fiction, in which everything is out of balance. rhythms take over your sensory system in order to resonate in a new way and your muscles are tricked by spontaneous desires. while the intricate breakbeat on &#8243,,when grounds are shifting (the otolith is obsolete)&#8246,, create a dialogue with the genderless vocals samples, counterpointed by sudden strikes of visceral subbass, the jungle inspired b side &#8243,,gravity s pitfalls&#8246,, starts with clusters of atonal clouds peaking in a trembling bass drop followed by polymetric drum patterns that sketch spaces of radical autonomy. inspired by the intriguing aesthetics of the hardcore continuum and the sonic language of noise and bassmusic, this idiosyncratic record takes a great step forward to shape a colourful future.

incl. love is a stranger !!!! cold beat is a san francisco-based quartet fronted by hannah lew (synths, vocals) with kyle king (synths, guitar), luciano talpini aita (synths) and sean monaghan (guitar).

after reaching 100k subscribers on youtube, the channel houseum cross over to the next step with the launch of their new label houseum records. their first release ‘the four j’s’ features four bumping house tropes from channel regulars bellaire, subjoi, gavinco and jesse bru. this release represents the achievement of the work done on the channel by releasing four tracks with four differing, infectious vibes.

a collection of singles from the 60s soul music duo eddie & ernie aka edgar campbell & ernie johnson.

3rd release on infinity groove records by member val maz, limited copies, vinyl only, no repress

detail: having persuaded flamingods to dj at an east london food bank fundraiser (£7k raised for eat or heat), byrd out hounded them to produce a remix ep of their 2017 kewali ep, bringing together a team of intriguing artists. erol alkan s co-conspirator in beyond the wizard s sleeve, richard norris takes mixed blessings in a more a dancefloor friendly direction, liverpool 3 piece stealing sheep paint a hypnotic gloss on the title track, bringing out the colours in a downtempo sunrise of a remix, made for 6am, the quietus darlings vanishing twin s remix starts at a run and carries on from there, most obviously absorbing the middle eastern vibe. the ep is a step forward at a time when the world seems bent on looking backwards. artwork by james burgess, mastered by the legendary noel summerville.

fresh with love from detroit ...though hes been djing in detroit for well over 30 years, talley put out his first full-length, norm-a-lize, just last year via fxhe. hes following quickly with a new ep, i tried to told cha. the ep from talley comes on the heels of an fxhe 12-inch from label boss omar-s, your socially awkward criminal.. next norm talley.

after a ten year long career releasing music with many different labels icicle has taken the logical next step and started his own imprint, entitled entropy music. the name derived from his second album ‘entropy’ still aims to inspire the concept that music behaves as all things do in nature and degrades, falls apart and becomes more chaotic with time. in an effort to confront this, entropy music strives to bring controlled, rolling, technically detailed music, without ever overstepping that line when the process becomes inhuman and cold. on this second release on entropy music icicle teams up with kindred spirit and cousin proxima to deliver a four track collaborative ep. the opening track which also welcomes ben verse to the label, is rolling tech funk pur sang. the weighty and detailed yet simple breathing groove make it a track true to the entropy ethos and ben complements this with his trademark lyrics reminiscent of renegade hardware shows past. on the a2. icicle brings a near wooden stepper with a viscous turbulent low-end, a firm wink to the past, with dust me off. icicle’s track is expertly offset by proxima’s solo offering retrace a peak into futurism boasting an evolved playful groove which takes on board equal measures of jump up and 90’s tech. the ep is rounded up by the title track deep dreaming, where icicle and proxima collaborate once more to bring a slight curve-ball. pianos ring in an eerie musical intro to a dark but sultry track where the energy is second to the atmosphere.

the drip ep brings together four distinctive producers and one set of sounds - the drips. the result is a compilation of 4 tracks that bring the swing and sampling of some of accidental jnr’s finest to produce a soaking wet dancefloor. first up is label boss matthew herbert with a trademark groove that harks back to his wishmountain moniker albeit found lurking in the swamp. cosmo sheldrake takes a slight departure from his usual multi-instrumentaling live-looping avant-folk to deliver a track that could only be described as travelling circus aqua-techno. bahraini born, french / us bred and now edinburgh dwelling video game builder, sound designer and sometime scottish league football referee yann seznec opens the b-side with an absolute stormer of a rain drenched club hook. sussex based producer crewdson and builder of such electronic instruments as the eggiophone and concertronica closes proceedings with a drizzling evolving 2-step number.

a collection of classics from the disco masters on vinyl lp.

the 4th edition in the acclaimed sterns edits series sees curator ben gomori open up the sterns music catalogue to other keen re-editors with brownswood / worldwide genius smbd (aka simbad) the first to step up to the plate. nigeria s segun adewale is sometimes referred to as the crown prince of jùjú music, but in the 1980s he developed a sound all of his own, which he called yo-pop. a mixture of jùjú, funk, reggae, afrobeat and jazz, its vibrant melange can be heard on his 1986 record ojo je , where both these originals are taken from. smbd delivers too superb flips of the title track a gritty funk-fuelled disco version with live bass, and a deliciously deep dub-house version. gomori, meanwhile, takes the haunting atewo-lara ka tepa mo se for an extended hypnotic, tribal trip. the stunning artwork comes from kofi ankobra, the son of radical white south africans who grew up in ghana and studied art at oshogbo, nigeria the place adewale himself was born. sterns edits is an official collaboration between african music stalwarts sterns music and londons ben gomori.

pablo gad joins king earthquake for this 2012 lp of firing uk steppers.

on ultra satans second 7inch release on hoga nord rekords, the band is developing a new genre and concept: “freedom rock”, which is also the title on one of the tracks. “freedom rock” is a step beyond world music which would be the wrong label when ultra satan sounds too spaced out and out of this world.
on the second track “anti clock”, ultra satan hit strikes against the hysterical swedish mortgage market, how safety destroys creativity and also against the worthless tokens of appreciation you receive from our corrupt and ultra capitalistic society.
ultra satan is like a space being, living alone in an enormously big and empty space station, orbiting our planet. with mathematical precision this genius creates music that effects us earthlings on a transcendental plane and shakes the foundation we lead or lives upon.

monotone is back on wax! after almost 10 years since we have seen a monotone vinyl release, the return is strong. monotone boss larry mccormick comes with a 6 track mini album with straight up pure electro goodness. the follow up to his album on shipwrec entitled intelectro, larry mccormick aka exzakt offers us a more puristic electro sound that he is known for. kicked off by show the way we get that vintage exzakt sound with crisp 909/808 layed kicks, one step ahead goes the more melodic route but still keeps the beat moving. move because i said so is a fun and funky classic electro sound. creator. vibes are massive on this riding melodic jam. eyes on me is a journey, an atmospere with trancy keys and subsonic pads. magic city is a bit of a departure from the normal sound yet still retains the low end.

remixes of the recent croatian amor album “love means taking action” as a one-off limited pressing. tracks by brynje, age coin, why be, yen towers, ctm, felicia atkinson, drew mcdowall, kyo featuring health & safety.

this latest work from vanity productions is a turbulence steadied to rest with care, and marks a critical high point in the project’s evolution. as the nom de plume of posh isolation’s co-founder christian stadsgaard, there is a deeply private yet fiercely empathic quality to “only the grains of love remain”. pirouetting between his collaborative work with loke rahbek as damien dubrovnik, as well as the empire line with varg and iron sight, to name just stadsgaard’s most recent activity, the inwardness reserved for vanity productions is perhaps a necessary step. that the emotive experimentation should generate such a touching soliloquy is an arresting watermark, presenting only the grains of love remain as the most eloquent work of the project to date.

limited edition of 2000 numbered copies on pink and yellow 180 gram vinyl, housed in a gatefold sleeve. groove armada’s fifth studio album “soundboy rock” is an unpredictable mix of breakbeats, trip hop and electro-driven songs. the diversity and continuity of their previous work lovebox is combined with some exciting heaviness. they offer so much diversity that every musical fan will get it’s taste of their great production skills. mc stush shares her vocals on the hooked single “get down”. the eighties pop and new wave comes together on the glorious “song 4 mutya (out of control)”. the productions sounds perfect and the vocals turn out well.
the electronic music duo andy cato and tom findlay took their first step in the music scene when they were working together in the music club groove armada. later on they released a couple of big hits, including “my friend” and “superstylin’”.

legalize lambada step up for their 4th outing with four delectable afro disco edits from sputnik. ‘superlove see s sputnik channel a south-african take on early garage house before melting feeling fine , the reggae tinged, afro boogie gem. on the flip side, groove me unearths some feel good cameroonian disco gold complete with killer guitar solo, whilst rick closes out the e.p. dropping the tempo for a synth soul, slow jam. with early support from hunee, lexx and the likes, leg004 is shaping up to be one of the summers standouts.

uk dj and producer rohan walder, a.k.a. randomer furthers his exploration into deep, spatial techno on dekmantel’s ufo imprint. fusing together two-step rhythms, cavernous beats, distortion, layered kicks, and an attentive detail to sound design, randomer delivers an uncompromising array of abstract and destructive techno tracks.

“running through with the sadness” represents hungry march band’s first full-length studio album in over a decade, and their first pressed to vinyl. the record is an explosion of irreverent energy and a veritable lesson in spastic instrumental dance music. it was meticulously produced over the course of years, indicating a forward step in the evolution of the radical street brass sound.

maksim dark returns to his spiritual home of senso sounds - oliver huntemanns much touted imprint for his tougher, technoid leanings. maksim, born in serov, russia, has created an indelible impression over the course of his young career, and ‘movement is clearly the next step on his road to very great things. ‘attack disco is true to form - a lean, mean and tough to the bone piece of techno with a driving, powerful edge. growling, snarling synths sound like shards of metal ripping through the groove producing an intense vibe. ‘coordinate is a notch more reserved, but builds a killer, hypnotic groove through stripped back elements, before maksims off-kilter sound design provides the trippy topping. the title track ‘movement fits its name - the track bursts with energy and atmosphere, propelled by a thick, tactile rhythm and pitched down, demonic vocal by the man himself.

arcola presents mwr157 contains six lost slices of leftfield electro including the mythical and mysterious hotline a track that was originally scheduled for release on mo’wax back around about the year 2000 but only ever reached test pressing for reasons no one can quite remember, alongside five other tracks that take in dancehall, hip-hop and 2-step garage, all recorded during the same session...

the 3rd album from eric b. & rakim, originally released in 1990, now back on 180 gram double vinyl with download code included.

salsoul records have always stayed one step ahead of the game. since the labels inception in the early 1970 s the imprint s focus has been firmly fixed on presenting the most cutting edge dance music sounds and in the process the label has been instrumental in creating legends and shaping the landscape of contemporary club culture throughout the original disco era and beyond. it comes as no surprise that many of todays labels and artists cite salsoul as a fundamental influence on them and their output. the labels music has been endlessly rediscovered, sampled, re-edited and appreciated over and over again, your favourite dj s and selectors undoubtedly reach for tracks from the catalogue each time they play. this is why salsoul continue to collaborate with the best labels and artists out there today.

chicago house pioneer dj sneak and russian export tripmastaz have proven themselves to be a formidable pairing since their first ep landed on sneak’s imprint, i’m a house gangster, in 2014. in july, they add to their joint discography with a three-tracker dispatch on cassy’s burgeoning label, kwench records. the label’s sixth release, cassy takes a step back and gives this collaborative duo yet another outlet to showcase their dancefloor fodder, which follows releases on kaluki music, mr. nice guy, reptile dysfunction, ovum recordings and, of course, i’m a house gangster. extraterrestrial intelligence reminds fans of not just their deftness in producing tough house cuts, but also their prowess at manipulating the roland tb-303 to deal a solid smacking of acid. ‘ufo’ reaches out to roughen up the humanoids of this planet with the 303’s distinctive squelch and those clattering drum machine rhythms – a track that’s guaranteed to get you twisted. gruff vocals on ‘click thang’ break through as a tough bassline ensures your participation on the floor, and ‘last daze of dizko’ maintains momentum with a thumping bassline that any peak-time burner should possess.

gorje and izhevski return to all day i dream. finally! our exotic step brothers have their own elegant and distinctive sound that carefully balances musical emotion with signature beats. equally at home on the dance floor as well as your lounge floor in your spotify playlist. nikolai has been a long time fan of peter broderick and was given the opportunity to work with him last year. he (and dimitri) took peter s vocals and created something quite beautiful, both in ambient form as well as the 4:4 version. ta da! their new ep was well on it s way to completion. seeing as i m never satisfied though i insisted they stayed up late for another week and the result was l eternite. harking back to one of their first releases (calinerie) on the label this subtle melodic bomb will be heard as the sun sets or the sun rises across the universe this summer. if you re not already aware please check out the boys label too. shanti radio is a label we at all day i dream love.

after the launch of her own label, frizner electric, ladymonix takes another step forward with her debut release. the opener & title track bc i want to is a deep and sensual body mover, anchored by empowering vocal samples that make no apologies. . the mood cascades from curiosity into downright permission. know what then takes over with a potent house beat and more strapping vocal cuts. the temper of this track begins liberating and lush, spiraling into a mirage of uplifting sounds for the final 3 minutes. tying the threads of the ep into a final knot is in flight, a soaring track that blends the energy of an evening into the power of the night. charming and eccentric beats run smoothly from takeoff to landing, making for a steadily blissful atmosphere. overall, bc i want to is a divisive house recording that can be admired from the dancefloor & from the bedroom alike.

the first long player on pressure traxx welomes dario reimann from darmstadt. known for his releases on sensual, la peña or offm he shows here in full length why he is one of the most interesting new school producers out there. delivering 8 diverse cuts that will stand the test of time, easily. step into -dario s castle-

coming back for another round after his first ep for figure last summer, shlomi aber continues to explore different avenues of his multi-faceted sound, tying it all up in a nicely rounded package. setting the pace is driving opening track whistler, the producer showcasing his ability to craft something big but undoubtedly refined. he then lets old school drums cruise along gentle sways of washed out ambience, giving the deep heads something to really get into… back with more techno on the b-side, this time in true figure-style: lean, sharp, and utterly effective penetrate the system is sure to leave its mark and comes complete with an extended, separate intro, making for quite an experience. staying atmospheric to the end, aber chooses to step out in half-time, taking cues from dubstep as hollowed kicks carve out an endless tunnel that leads only ever deeper down the rabbit hole.

the 5th release on apr marks a new step in the dj- and live trio’s maturity and is at the same time their most essential release.

dont is excited to welcome dublins another alias with a perfectly unsettling 4-track ep that veers from 2 step through techno and out the other side, truly bringing something new to the table.this producer has been busy carving out a definite sound of late and that sound chimed so much with the original ethos of dont, that he was immediately sought out and invited to record an ep. his productions bang, whilst managing to hit a delightfully off-kilter tone which is a tricky combination to get right and we really hope you’ll enjoy this special release.

regulars at the spearhead presents clubs nights, macca & loz contreras step up for their debut ep on spearhead records. this is classic liquid drum & bass at its finest. support from all the usual suspects...

streetman records kicks it off with three low-flyin’ edits. momma’s callin’ may wanna make you jack it back to your house, but thirtythree n third will keep you hanging at the curb. don’t forget about no more fuck ups, cause between the slap of a funky guitar and the snap of a snare drum, you can easily miss your step. three stone cold edits from the street!

longtime friends and production partners ali Çak&#305,,,,,,r and soren jahan launch their new label hörru with a 4 track ep. hörru will focus on releasing vinyl from düve as well as personal projects from soren, ali and friends. &#8232,,,,,,konsekvenser is a reduced house banger for the club, 808 live jam style. nej takes things a step back and with a little more attitude, saying no to you in the crowd. uzay kök is a hard dripping trance exploration. beluc closes the ep with a dialog between voice, flute and eliot bates on the oud.

more than ten years since he first emerged on skull disco, appleblim presents his debut album. the label he co-founded with shackleton was the first the world heard of his productions, but laurie osborne’s innate relationship with electronic music culture reaches back much further than those groundbreaking early days of dubstep. early days spent soaking up hardcore, jungle, techno and plenty more besides were fundamental foundations from which to spring into the then-unknown realms of sub-low half-step club music. at that time fwd>> and dmz were the church for this ritualistic sound, and appleblim was a regular fixture at both.

vinyl only w/ mike huckaby remix. jorge caiado’s new “cycles” ep, offers 3 strong versions of title theme plus a remix by detroit legend mike huckaby. a house/techno manifesto that takes his artistic vision one step further, placing him as a cutting edge producer internationally supported by the likes of move d and others. from lisbon via detroit, “cycles” will make any worldwide dancefloor take a peak. so grab it, play it and check the results.